108 Royalty-Free Audio Tracks for "Root Position"

Modern roots reggae 01 088 amin a samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 14 090 bmin a samples.

Trash drumming at sark roots permaculture festival 2016. Recording of a set of interesting recycled objects mounted on scaffolding in the middle of the festival site. Recorded whilst festival was in full swing around the wildly improvising (mostly) amateur drummers on saturday night. Recorded with a tascam dr-40 portable recorder. Processing: eq, c6 multi-band compression and l3 multi-band limiting.

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Digging up some grass and dirt with a small shovel. Thudding and tearing grass roots sounds. Recorded with a zoom h1, no editing applied. Created specifically for https://www. Youtube. Com/watch?v=gfkq9u3ncse 1:50, but cc0 for you all :).

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.

Roots reggae beat ! edited with fl studio 11enjoys :).

Just in case someone needs some weird dirty talk.